#CONTOUR SHUTTLE CONTROL PANEL PROBLEMS SOFTWARE#

Let’s examine the categories in which the keyboard tries to deliver on that: Now gushing about the jog wheel aside, a thousand dollar keyboard should provide tangible improvements over the way normal keyboards work: improvements that make you a faster, more efficient editor, with all the improvements that might entail for your particular working situation. What Normal Keyboards Can’t DoĭaVinci Resolve Editor Keyboard, special keys left. A decisive flick will keep it turning for seconds on end, while one finger on the rubber sides will make it stop immediately. The wheel itself is nicely weighted, feels substantial and has fantastic balancing for just the right amount of inertia. This is simplifying the way most traditional jog wheels worked, where you had the inner circle be the non-resistive part and an outer, second ring for the resistive shuttle-function.

#CONTOUR SHUTTLE CONTROL PANEL PROBLEMS SOFTWARE#

To be clear: this will not only change how the software reacts to the wheels input, it will change how the hardware reacts, with the wheel just turning until you physically stop it in the scroll- or jog-mode, but introducing two hard-stop reference positions at three and nine o’clock with nice resistance in shuttle-mode. The wheel as a whole can be clicked and the three keys above it will control its function to either shuttle, jog or scroll across the timeline. Its top side is metal, with the traditional indentation for a finger to turn the wheel, while its sides are made of textured rubber. However, this jog wheel is in a class totally its own in this price range and will probably hold its own in any. I have used the attainable competitors like Tangent’s control panels, Loudedeck+ and the Contour Shuttle wheels. Let me just say this: the Blackmagic Design Editor Keyboard’s wheel is just a pleasure to use. The key switches themselves seem to be pretty premium mechanical ones, like those found in high-end gaming keyboards and feature a nice bounce and satisfying click – just don’t expect typing on this keyboard to be quiet.ĭaVinci Resolve Editor Keyboard, jog wheel. To the left of the QWERTY-block is a set of 17 special function editing keys, to the right of the Num-block you’ll find 5 more keys and the main event of the show: the jog wheel.

Function groups are color-coded, although the keys for those groups are not always grouped together. At the core of the keyboard is a US-style QWERTY setup of keys with the arrow keys integrated into the main block of keys and the “Home” key integrated into the Num-block. It feels like the Blackmagic Design Editor Keyboard could survive bouncing around a case or rack for years and maybe even survive a drop – but don’t quote me on that. Let me start out by saying that even if this keyboard was twice the price, the build quality would still feel outstanding for the price. Build Quality and FinishĭaVinci Resolve Editor Keyboard, bird eye view. So is this new keyboard part of the same strategic push by Blackmagic Design to further differentiate and distinguish DaVinci Resolve as a full-featured editing suite for editors or teams without the dreaded, time-wasting round trips? And who would actually seriously buy a keyboard for a thousand dollars? We will try and return to these questions a bit later on.

Consequently, versions 15 and 16 have, at least across Youtube and the Blogospheres, seen people announcing their switch to Resolve in troves, either from Adobe Premiere or Final Cut (arguably not as much from Avid though). However most major versions of Resolve since version 14, seemingly building on the software’s almost unchallenged dominance in the color grading realm, have been trying to improve on DaVinci Resolve’s usefulness to editors, VFX artists and sound editors alike, brushing up on the editing side of things by adding loads of features already present in other NLEs and integrating Fairlight and Fusion into Resolve without any additional cost upgrading. But it was only a few years ago that Blackmagic started taking into account the needs of smaller production houses and individual filmmakers or colorists which couldn’t afford the $30,000 Advanced Panel, as well as the rather large grading suite to put it in, by offering the Mini and Micro Panels. Image credit: cinema5Dīlackmagic has been offering their full-sized Advanced Panel for grading in DaVinci Resolve for years now and these have become standard inventory at grading houses all over the industry.

Contour shuttle control panel problems